Gutenkarte

The Shah Nameh was composed with the view of perpetuating the remains of the original Persian records or traditions which had survived the Saracenic invasion. The task was undertaken by the poet Dukiki, and afterwards, under the patronage of Mahmood of Ghazni, completed by Ferdusi. The first of these dynasties is that of Kaiomors, as Sir W. Jones observes, the dark and fabulous period; the second, that of the Kaianian, the heroic and poetical, in which the earned have discovered some curious, and imagined some fanciful, analogies with the Jewish, the Greek, and the Roman accounts of the eastern world. See, on the Shah Nameh, Translation by Goerres, with Von Hammer's Review, Vienna Jahrbuch von Lit. 17, 75, 77. Malcolm's Persia, 8vo. ed. i. 503. Macan's Preface to his Critical Edition of the Shah Nameh. On the early Persian History, a very sensible abstract of various opinions in Malcolm's Hist. of Persian. - M.]