Gutenkarte

In the evening I introduced to Mr Johnson [Footnote: It may be observed, that I sometimes call my great friend, MR Johnson, sometimes DR Johnson, though he had at this time a doctor's degree from Trinity College, Dublin. The University of Oxford afterwards conferred it upon him by a diploma, in very honourable terms. It was some time before I could bring myself to call him Doctor; but as he has been long known by that title, I shall give it to him in the rest of this Journal.] two good friends of mine, Mr William Nairne, advocate, and Mr Hamilton of Sundrum, my neighbour in the country, both of whom supped with us. I have preserved nothing of what passed, except that Dr Johnson displayed another of his heterodox opinions--a contempt of tragick acting. He said, 'the action of all players in tragedy is bad. It should be a man's study to repress those signs of emotion and passion, as they are called.' He was of a directly contrary opinion to that of Fielding, in his Tom Jones; who makes Partridge say, of Garrick, 'why, I could act as well as he myself. I am sure, if I had seen a ghost, I should have looked in the very same manner, and done just as he did.' For, when I asked him, 'Would not you, sir, start as Mr Garrick does, if you saw a ghost?' He answered, 'I hope not. If I did, I should frighten the ghost.'