Gutenkarte

[Footnote 65: See Maffei, Veroni Illustrata, l. iv. p. 68.] [Footnote 66: See the xth book of Pliny's Epistles. He mentions the following works carried on at the expense of the cities. At Nicomedia, a new forum, an aqueduct, and a canal, left unfinished by a king; at Nice, a gymnasium, and a theatre, which had already cost near ninety thousand pounds; baths at Prusa and Claudiopolis, and an aqueduct of sixteen miles in length for the use of Sinope.]

As the attention of the new emperor was diverted by the most trifling amusements, he wasted many months in his luxurious progress from Syria to Italy, passed at Nicomedia his first winter after his victory, and deferred till the ensuing summer his triumphal entry into the capital. A faithful picture, however, which preceded his arrival, and was placed by his immediate order over the altar of Victory in the senate house, conveyed to the Romans the just but unworthy resemblance of his person and manners. He was drawn in his sacerdotal robes of silk and gold, after the loose flowing fashion of the Medes and Phoenicians; his head was covered with a lofty tiara, his numerous collars and bracelets were adorned with gems of an inestimable value. His eyebrows were tinged with black, and his cheeks painted with an artificial red and white. ^51 The grave senators confessed with a sigh, that, after having long experienced the stern tyranny of their own countrymen, Rome was at length humbled beneath the effeminate luxury of Oriental despotism. [Footnote 51: Dion, l. lxxix. p. 1363. Herodian, l. v. p. 189.] The Sun was worshipped at Emesa, under the name of Elagabalus, ^52 and under the form of a black conical stone, which, as it was universally believed, had fallen from heaven on that sacred place. To this protecting deity, Antoninus, not without some reason, ascribed his elevation to the throne. The display of superstitious gratitude was the only serious business of his reign. The triumph of the god of Emesa over all the religions of the earth, was the great object of his zeal and vanity; and the appellation of Elagabalus (for he presumed as pontiff and favorite to adopt that sacred name) was dearer to him than all the titles of Imperial greatness. In a solemn procession through the streets of Rome, the way was strewed with gold dust; the black stone, set in precious gems, was placed on a chariot drawn by six milk-white horses richly caparisoned. The pious emperor held the reins, and, supported by his ministers, moved slowly backwards, that he might perpetually enjoy the felicity of the divine presence. In a magnificent temple raised on the Palatine Mount, the sacrifices of the god Elagabalus were celebrated with every circumstance of cost and solemnity. The richest wines, the most extraordinary victims, and the rarest aromatics, were profusely consumed on his altar. Around the altar, a chorus of Syrian damsels performed their lascivious dances to the sound of barbarian music, whilst the gravest personages of the state and army, clothed in long Phoenician tunics, officiated in the meanest functions, with affected zeal and secret indignation. ^53

The second expedition of the Goths was undertaken with greater powers of men and ships; but they steered a different course, and, disdaining the exhausted provinces of Pontus, followed the western coast of the Euxine, passed before the wide mouths of the Borysthenes, the Niester, and the Danube, and increasing their fleet by the capture of a great number of fishing barks, they approached the narrow outlet through which the Euxine Sea pours its waters into the Mediterranean, and divides the continents of Europe and Asia. The garrison of Chalcedon was encamped near the temple of Jupiter Urius, on a promontory that commanded the entrance of the Strait; and so inconsiderable were the dreaded invasions of the barb